A Fateful Party
It all began in Ancient Persia in the
4th century BCE. The Holy Temple that had stood in Jerusalem was
destroyed more than 50 years earlier, and the Jews were subjects of the
mighty Persian empire which extended over 127 lands.
Three
years after King Ahasuerus ascended the Persian throne, when he felt
secure in his new position, he celebrated by throwing a grand
180-day-long party for all his subjects. Following this extravagant
gala, Ahasuerus hosted a smaller week-long party for the residents of
the capital city of Shushan. In the palace's women's quarters,
Ahasuerus' wife, Queen Vashti, hosted her own party for the Shushanite
womenfolk.
On the seventh day of this party, Ahasuerus' heart
"was merry with wine," and he commanded his wife Vashti to appear before
all the partying men—he wanted to show them all her exquisite beauty.
Vashti balked at this request, and at the advice of his advisor
Memuchan, Ahasuerus ordered Vashti's execution.
The Beauty Contest
When
Ahasuerus' wrath dissipated, he was lonely for a wife. His servants
suggested that he orchestrate a beauty pageant. Officers would be
appointed in all the king's lands, and all beautiful girls would be
brought to Ahasuerus. And the girl who would find favor in the king's
eyes would be the new queen.
The leader of the Jews at that time
was a Shushanite resident named Mordechai. He had a cousin, Esther, who
was orphaned as a young girl. Mordechai raised her and treated her as a
daughter. Though she had no desire to be the queen, Esther was forcibly
taken to the king's harem, to participate in the contest. While all the
other contestant beautified themselves with perfumes and lotions, Esther
did nothing. But G‑d had His own plans. When Esther appeared before the
king, he immediately liked her, and Esther became the new Queen of
Persia. But as per Mordechai's directive, Esther refused to divulge her
nationality—even to the king.
Mordechai to the Rescue
Continue reading.
For
more information on Purim, see our Holiday Spotlight Kit. If you're a
JVN website, find out how you can carry our Holiday Spotlight Kit on
your own website. If not, go to our website to see it.
For more great Purim ideas, check out our page.
Monday, February 24, 2014
Monday, February 17, 2014
Purim
Purim 2014 begins in the evening of Saturday, March 15 and ends in the evening of Sunday, March 16
Purim is celebrated with a public reading—usually in the synagogue—of the Scroll of Esther (Megillat Esther), which tells the story of the holiday. Under the rule of King Ahashverosh, Haman, the king's prime minister, plots to exterminate all of the Jews of Persia. His plan is foiled by Queen Esther and her cousin Mordechai, who ultimately save the Jews of Persia from destruction. The reading of the megillah typically is a rowdy affair, punctuated by booing and noise-making when Haman's name is read aloud.
Purim is an unusual holiday in many respects. First, Esther is the only biblical book in which God is not mentioned. Second, Purim, like Hanukkah, traditionally is viewed as a minor festival, but elevated to a major holiday as a result of the Jewish historical experience. Over the centuries, Haman became the embodiment of every anti-Semite in every land where Jews were oppressed. The significance of Purim lies not so much in how it began, but in what it has become: a thankful and joyous affirmation of Jewish survival against all odds.
For more information on Purim, see our Holiday Spotlight Kit. If you're a JVN website, find out how you can carry our Holiday Spotlight Kit on your own website. If not, go to our website to see it.
For more great Purim ideas, check out our page.
Monday, February 10, 2014
Sigmund Freud’s Sicko Grandson: Cruel Lover, Terrible Father, One Hell of a Painter
With no Jewish holidays coming up immediately, we bring you profiles of some well known and some not so well known Jews. Enjoy.
By Vladislav Davidzon for Tablet Magazine
When the previous record for the world’s most expensive painting was blown away by the price paid at auction for Francis Bacon’s 1969 triptych “Three Studies of Lucian Freud” this past November, two widely held art-world intuitions were verified. First, that the art world is an annex of the Bourse, and second, the critical ascendancy of Freud, whose second-hand presence, as the subject of a painting by another famous artist, was a major reason for the fierce bidding.
Behind Freud’s triumphant moment is the fact that the English do not produce more than a few great artists every century, and so they embrace them with patriotic glee. Which also means that the enigmatic and reclusive grandson of the founder of psychoanalysis must now endure a degree of scrutiny of the sort that he never tolerated while living among mere mortals. A pair of newly published biographical studies, the affectionate and scabrously judgmental Breakfast With Lucian: A Portrait of the Artist, by journalist Geordie Greig and the beautifully ruminative Man With a Blue Scarf, by art critic Martin Gayford offer up a rounded view of an extraordinary and closely guarded life: Born in 1922, into the family of architect Ernest Freud—the youngest son of Sigmund—in the upscale Tiergarten district of Berlin, he was taken to London at the age of 10 by his family in 1933, as the death knell of the Weimar Republic rang. (Sigmund joined the family there in 1938, only to die a year later.) There exists a general consensus among critics that Lucian would have been too young, and too sequestered by his bourgeois family, to absorb Berlin’s avant-garde developments such as the Neue Sachlichkeit (New Objectivity); his mature style was genealogically, even inexorably linked to developments in modernist Vienna. Effusing about the recently closed retrospective at the Kunsthistorisches, the Viennese press made the obvious comparisons between his works and the limb-contorting figuration and sallow coloring of Hodler, the frigid eroticism of Klimt, Kokoschka’s macabre portraiture, and Schiele’s appreciation of the pliable female form.
Continue reading.
By Vladislav Davidzon for Tablet Magazine
When the previous record for the world’s most expensive painting was blown away by the price paid at auction for Francis Bacon’s 1969 triptych “Three Studies of Lucian Freud” this past November, two widely held art-world intuitions were verified. First, that the art world is an annex of the Bourse, and second, the critical ascendancy of Freud, whose second-hand presence, as the subject of a painting by another famous artist, was a major reason for the fierce bidding.
Behind Freud’s triumphant moment is the fact that the English do not produce more than a few great artists every century, and so they embrace them with patriotic glee. Which also means that the enigmatic and reclusive grandson of the founder of psychoanalysis must now endure a degree of scrutiny of the sort that he never tolerated while living among mere mortals. A pair of newly published biographical studies, the affectionate and scabrously judgmental Breakfast With Lucian: A Portrait of the Artist, by journalist Geordie Greig and the beautifully ruminative Man With a Blue Scarf, by art critic Martin Gayford offer up a rounded view of an extraordinary and closely guarded life: Born in 1922, into the family of architect Ernest Freud—the youngest son of Sigmund—in the upscale Tiergarten district of Berlin, he was taken to London at the age of 10 by his family in 1933, as the death knell of the Weimar Republic rang. (Sigmund joined the family there in 1938, only to die a year later.) There exists a general consensus among critics that Lucian would have been too young, and too sequestered by his bourgeois family, to absorb Berlin’s avant-garde developments such as the Neue Sachlichkeit (New Objectivity); his mature style was genealogically, even inexorably linked to developments in modernist Vienna. Effusing about the recently closed retrospective at the Kunsthistorisches, the Viennese press made the obvious comparisons between his works and the limb-contorting figuration and sallow coloring of Hodler, the frigid eroticism of Klimt, Kokoschka’s macabre portraiture, and Schiele’s appreciation of the pliable female form.
Continue reading.
Monday, February 3, 2014
Jewish Comedy Turns Sane
With no Jewish holidays coming up immediately, we bring you profiles of some well known and some not so well known Jews. Enjoy.
Moshe Kasher introduces one bit on his 2009 debut comedy CD, Everyone You Know Is Going to Die, And Then You Are, by saying the words, “I went to college.” Which, given that Kasher is a 32-year-old American Jew, would seem a little like his saying that he breathes oxygen.
Except that for Kasher, picking up a bachelor’s degree was anything but inevitable. In Kasher in the Rye, his new misery-lit memoir, the comedian explains that he was, for most of his teenage years, headed in a very different direction. His father, a deaf baal teshuva who found his place among the Satmar Hasidim in Sea Gate, Brooklyn, would have preferred him to train as a Talmud scholar, but even before his bar mitzvah, Moshe had discovered a passion for illegal drugs. “I was 12 years old and I found my calling,” he recalls. “Stay high, stay drunk, at all costs.” He fulfilled this program throughout his adolescence in Oakland, Calif., during which—according to his literary testimony—he was drunk or high every day, stole from grocery stores and from his mother, hung around with homeless junkies, racked up thousands of dollars in phone-sex charges, and was booted from one therapist and teenage rehab program after another. He robbed kids on the street, wrote graffiti, urinated all over the floor of his bedroom, and, at one particularly low point, was accused along with his friends of gang-raping a teenage girl.
Kasher grew up in the home of his divorced mother, who, being deaf like his father, could not hear him sneaking out of the house at night, or blasting Too $hort on her car’s stereo, even when she was sitting in the seat right next to him. But he doesn’t blame his troubles on growing up in a family doubly destabilized by divorce and deafness. How could he, when his older brother sailed through a fancy liberal arts college and onward to a progressive Orthodox rabbinical school so as to return to his hometown and serve as the senior Jewish educator at the U.C. Berkeley Hillel?
Continue reading.
Once an institutionalized mental patient, the comic Moshe Kasher unleashes his psychological self-abuse in the new memoir Kasher in the Rye
By Josh Lambert for Tablet MagazineMoshe Kasher introduces one bit on his 2009 debut comedy CD, Everyone You Know Is Going to Die, And Then You Are, by saying the words, “I went to college.” Which, given that Kasher is a 32-year-old American Jew, would seem a little like his saying that he breathes oxygen.
Except that for Kasher, picking up a bachelor’s degree was anything but inevitable. In Kasher in the Rye, his new misery-lit memoir, the comedian explains that he was, for most of his teenage years, headed in a very different direction. His father, a deaf baal teshuva who found his place among the Satmar Hasidim in Sea Gate, Brooklyn, would have preferred him to train as a Talmud scholar, but even before his bar mitzvah, Moshe had discovered a passion for illegal drugs. “I was 12 years old and I found my calling,” he recalls. “Stay high, stay drunk, at all costs.” He fulfilled this program throughout his adolescence in Oakland, Calif., during which—according to his literary testimony—he was drunk or high every day, stole from grocery stores and from his mother, hung around with homeless junkies, racked up thousands of dollars in phone-sex charges, and was booted from one therapist and teenage rehab program after another. He robbed kids on the street, wrote graffiti, urinated all over the floor of his bedroom, and, at one particularly low point, was accused along with his friends of gang-raping a teenage girl.
Kasher grew up in the home of his divorced mother, who, being deaf like his father, could not hear him sneaking out of the house at night, or blasting Too $hort on her car’s stereo, even when she was sitting in the seat right next to him. But he doesn’t blame his troubles on growing up in a family doubly destabilized by divorce and deafness. How could he, when his older brother sailed through a fancy liberal arts college and onward to a progressive Orthodox rabbinical school so as to return to his hometown and serve as the senior Jewish educator at the U.C. Berkeley Hillel?
Continue reading.
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